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She has previously taught at Williams College and other institutions. Harris-Babou received her undergraduate degree from Yale University so in some ways her new appointment at Wesleyan is a reunion of sorts. Then I’ll send an email and then do a little thing for a sculpture event, so I don’t really cut out the designated studio time that’s separate from everything else that’s going on in my life.”Ĭurrently she is splitting her time between Brooklyn and Connecticut. So I’m doing some reading for teaching and then I’ll move stuff around and collage. She described it this way to Observer ”I wish I was a person who had cut out my really distinct, sacred studio time that was separate from everything else but I’m mainly just kind of hopping between every kind of task when I’m there. When it comes to her own studio practice, Harris-Babou tends to do a number of things in her space and likes to jump between video editing, reading, answering emails, and other activities. She had recently returned from a three-week trip to Senegal and was in the process of setting up her new studio on the campus of Wesleyan University where she has recently taken a tenured track position.Ĭurrently she is busy creating new work, re-editing work, getting ready for several shows, and of course, teaching. I spoke to the artist twice in the span of the month over January and February 2022. Harris-Babou can often be found working on a number of projects simultaneously. While grounded in video, her practice involves a lot of moving parts. Harris-Babou’s studio practice consists of several different elements including video, ceramics, sculpture, collage, performance, and installation.
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Harris-Babou’s art reveals complex paradoxes about the world we live in today, providing vital commentary on it. The multimedia artist creates complicated, funny, absurd pieces that seek to further articulate and unpack larger ideas of identity and race while also giving the viewer a familiar framework to latch onto. Ilana Yacine Harris-Babou’s work challenges idealized notions of consumerism and wellness culture.
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Installation View of “Tasteful Interiors,” 2021, at the Institute of Contemporary Art at the University of Tennessee, Chattanooga.